Film.
Where the cut decides whether an ad sells, a documentary feels true, a series carries. Film is the pillar Mark personally led for twenty-five years and still leads today.
The full chain, under one roof.
No padding. No service we don't actually deliver. No service we'd hand to a vendor without saying so.
Offline Edit
From rushes to picture lock, signed by the senior editor.
Online Conform
Picture-lock to broadcast-ready master.
Color Grade
DI suite, calibrated reference rooms, senior colourist.
Sound Design & Mix
Dolby-spec mixing rooms, original score liaison.
VFX
Clean-up to set extension, kept inside the cut.
Versioning
All durations, all ratios, all platforms.
Localisation
Languages and dialects, with cultural sign-off.
On-Set Supervision
A senior post hand on shoot when the project asks for it.
INT STANDARD
MARK
CO FOUNDER / CREATIVE DIRECTORSenior hands in every frame.
Mark is a 25-year veteran of post-production, with credits across feature film, episodic television, regional and international advertising, and documentary. He sits personally in every project Sail takes on, from creative review to final QC.
The studio is built around him and a senior team trained to his standard. The juniors learn before they lead. The client who chose Sail is not handed off to whoever was available.
INT STANDARD
PIERRE
COFOUNDER / MANAGING DIRECTORSenior hands in every frame.
Pierre is Managing Director and co-founder of SAIL. With a background in aerospace engineering and 18+ years leading tech and digital transformation across Europe and the Middle East, he brings deep structural rigor and innovation to post-production. Pierre also leads Farkey Technologies, building systems, innovating, and structuring capacities that extend naturally into SAIL's AI and delivery infrastructure.
At SAIL, his focus is clear: modular, technology-forward pipelines where AI is integrated with intent, and creative ambition is matched by operational reliability and scale.
Three contracts. One studio.
Every conversation starts in the same place, what are you making, and when do you need it. The model is chosen with you, not for you.
Project
FOR A DEFINED DELIVERABLE, A KNOWN TIMELINEA single project, scoped, briefed, contracted. The right model for a TVC, a feature, a documentary, a one-off campaign. Pricing follows the scope. Mark is on every project.
Retainer
FOR ONGOING VOLUME, PREDICTABLE COSTA monthly engagement against a defined output band: episodes, reels, campaigns, podcasts. The cost curve flattens as the volume grows. The right model for brands, platforms, and recurring formats.
SOS Mode
FOR A PROJECT ALREADY IN TROUBLEThe two-AM contract. A senior hand on call, a pipeline built to absorb emergencies, a project picked up where another studio left it. The rescue treated as the contract, not the exception.
Notes from the edit suite.
Post is strategy, not service. A manifesto.
The edit suite is not the back-end. It is the room where a film, a series, a campaign finds its argument, its rhythm, its persuasion ... and the room deserves seniority.
AI dubbing, four languages.
An honest breakdown of an AI localization pipeline we ran on a real project. The places it saved a week. The places we sent it back to a human and why.
Early notes on how we measure post.
The Post-Production Performance Index scoring methodology, opened up. Four dimensions, one score, and the case to why the industry waited too long for one.